Adlib Internet Server 5

Select

1002078

Title
Volume 06: Lionel Lindsay, John C. Goodchild, Ellis St. John, and David Barker prints, ca. 1927?-1949
Call number
DL PXX 85/vol. 6
Level of description
file
Date

1927?-1949
Type of material
Graphic Materials, Prints
Reference code
1002078
Physical Description
75 prints
Scope and Content
72 separate plates, several with 2 different pulls, 75 prints in total.

Engravings of John C. Goodchild, Ellis St. John, David Barker and Lionel Lindsay

John C. Goodchild
xiii. Jervois Bridge, Port Adelaide
17.3 x 35.3 cm.
Edition: 1/30

xiv. Castlereagh St. Sydney
19.3 x 17.4 cm.
Edition: 11/50

xv. Low tide at Northbridge
18.9 x 27.8 cm.
Edition: 15/50

xvi. Martin Place, Sydney
28.0 x 17.0 cm.
Edition: 19/50

xvii. King Street, Sydney
26.5 x 18.0 cm.
Edition 12/60

xviii. Argyle Cut, Sydney
20.1 x 20.4 cm.
Edition: 20/60

For continuation of John C. Goodchild see below, items xxix-xli, following Ellis St. John

Ellis St. John
xix. Manly Lagoon
15.4 x 22.8 cm.
Edition: 1/50

xx. Fort Denison
16.8 x 17.4 cm.
Edition: 1/50

xxi. Argyle Cut
22.5 x 16.2 cm.
Edition: 1/50

xxii. Old Store, Surry Hills
11.2 x 16.5 cm.
Edition: 2/50

xxiii. Boat Shed, Neutral Bay
16.3 x 21.5 cm.
Edition: 1/50

xxiv. The Milking Shed
16.2 x 22.2 cm.
Edition: 1/50

xxv. St. Stephens
29.6 x 11.4 cm.
Edition: 1/50

xxvi. Lane off William St.
15.4 x 20.9 cm.
Edition: 1/50

xxvii. Old houses, Millers Point
19.6 x 14.9 cm.
Edition: 1/50

xxviii. St. James doorway
22.6 x 12.1 cm.
Edition: 1/50

John C. Goodchild continued
xxix. St Mary’s Cathedral, Sydney
15.4 x 17.9 cm.
Edition: 1/30

xxx. The Methodist Ladies College, Adelaide
14.8 x 20.9 cm.
Edition: 1/40

xxxi. Hyde Park Underground Cutting, Sydney
22.2 x 21.4 cm.
Edition: 1/40

xxxii. The Barn
12.7 x 18.4 cm.
Edition: 1/25

xxxiii. The Spit, Sydney
19.6 x 23.8 cm.
Edition: 1/40

xxxiv. The Centre of Sydney
20.2 x 16.7 cm.
Edition: 1/50

xxxv. The Town Hall, Adelaide
18.3 x 12.2 cm.
Edition: 1/50

xxxvi. Flinders Street Station, Melbourne
17.4 x 15.1 cm.
Edition: 1/50

xxxvii. The Pug Elevator
20.3 x 17.0 cm.
Edition: 1/25

xxxviii. The Railway Station, Adelaide
16.8 x 25 cm.
Edition: 1/30

xxxix. Sydney from Milson’s Point
17.9 x 30.8 cm.
Edition: 1/50

xl. Adam Lindsay Gordon’s House, “Dingley Dell”
17.4 x 29 cm.
Edition: 2/40

xli. “Dingley Dell” – Adam Lindsay Gordon’s house at Mount Gambier
Pencil drawing, 16.9 x 27.6 cm.
Edition: Unknown

David Barker
xlii. A set of five etchings on the Palestine Front, by Warrant Officer David Barker, A.I.F.
Etching, 12.9 x 9.7 cm.
Edition: Title page
With A.I.F. crest (Sunburst)

xliii. Street in Bethlehem
Etching, 18.2 x 13.6 cm.
Edition: 1/50

xliv. Monastery, Aleppo
Etching, 12.7 x 23.9 cm.
Edition: 1/50

xlv. On the Hills of Lebanon
Etching, 10.8 x 20.6 cm.
Edition: 1/50

xlvi. The New Gate, Jerusalem
Etching, 16.3 x 13.5 cm.
Edition: 1/50

xlvii. A Street in Jerusalem
Etching, 15.7 x 14.0 cm.
Edition: 1/50

xlviii. Five Etchings from the Palestine Front by David Barker, Warrant Officer, A.I.F.
Etching, 13.2 x 9.5 cm.
Edition: Title page with Arab’s head

xlixa. A Doorway in Judea
Etching, 15.0 x 15.4 cm.
Edition: 2nd state, 40/50
On Jap Vellum

xlixb. A Doorway in Judea
Etching, 15.2 x 15.4 cm.
Edition: 1/50

l. A Church near Jerusalem
Etching, 14.3 x 15.0 cm.
Edition: 1/50

li. A Tomb in Bethlehem
Etching, 21.5 x 13.9 cm.
Edition: 1/50

lii. The Clock Tower, Jaffa
Etching, 20.9 x 9.4 cm.
Edition: 1/50

liii. A Street – Jerusalem
15.1 x 14.3 cm.
Edition: 1/50

liv. The Coffee Shop, Baghdad
21.5 x 16.3 cm.
Edition: 1/50

lv. At Baghdad
11.2 x 5.0 cm.
Edition: Unknown

lvi. The Bazaar, Baghdad
12.5 x 14.6 cm.
Edition: 1/30

lvii. Moonrise, Tigris at Baghdad
15.0 x 15.5 cm.
Edition: 20/25

lviii. A Mosque at Baghdad
27.8 x 16.6 cm.
Edition: 1/35

lix. The Patriarch
27.4 x 15.1 cm.
Edition: 1/30

lx. Ashar Creek, Basra
20.2 x 19.4 cm.
Edition: 1/50

lxi. Toolum Mosque
15.9 x 8.6 cm.
Edition: Trial proof
Cairo

lxii. The Waterfront, Amara
20.6 x 18.3 cm.
Edition: 1/50

lxiii. The Hill
9.7 x 15.5 cm.
Edition: Special proof

lxiv. In the Stubble
11.0 x 15.7 cm.
Edition: 1/20

lxv. The Fig Tree
18.0 x 9.6 cm.
Edition: 1/30

lxvi. Brickworks, St. Leonards
9.2 x 11.7 cm.
Edition: 1/30

lxvii. Boatsheds, Mosman
11.6 x 17.9 cm.
Edition: 1/25

lxviii. Balmoral
8.8 x 18.8 cm.
Edition: 3/25

lxix. The Spit
18.9 x 9.7 cm.
Edition: 1/12

lxx. Boatsheds, The Spit
11.6 x 20.1 cm.
Edition: 1/20

Lionel Lindsay
492. The “Bull-Fight Game”, Toledo, [1927?]
Dry point, 20.2 x 15.1 cm.
Edition: 2nd state
? 2 proofs only
Faint vertical lines on large white wall and much new work on foreground, etc.etc.

494. A Wayside Shrine, Antiquera, 1929
Dry point, 27.7 x 20.2 cm.
Edition: 3rd state
3 proofs thus
Very few proofs of this plate, in all, up to March 1945

495. Gate of the Kasbah, Algiers,
Dry point, 22.8 x 30.2 cm.
Edition: 2nd state
Trial B

496. (The Pescheria) Old Fish Market, Naples, 1928
Dry point, 22.7 x 30.2 cm.
Edition: 1st state
The only proof thus

498. The Traveller, 1945
Dry point, 17.9 x 25.4 cm.
Edition: 1/30

499. Old Spain, 1945
Dry point, 31.6 x 23.6 cm.
Edition: 1/40
Orig.

500. A Convent, Malaga, 1945
Dry point, 21.5 x 30.3 cm.
Edition: 1/50
Started in 1935

501a. Drafting at Bendenine, 1946
Line and mezzo, 21.1 x 27.1 cm.
Edition: 1/50

501b. Drafting Sheep (the same image as Drafting at Bendenine), 1946
Line and mezzo, 21.1 x 27.1 cm.
Edition: 1st state
One proof only

Note: No. 504 appears here in the album.

502. Trout Fishing on the Snowy, 1946
Mezzo and line, 19.4 x 26.9 cm.
Edition: 1/50

503a. The Return, 1946
Mezzotint, 17.2 x 24.2 cm.
Edition: 1st state

503b. The Return, 1946
Mezzotint, 17.3 x 24.3 cm.
Edition: 2nd state, 1/50

504. A Castle in Spain, 1946
Pure mezzotint, 18.7 x 24.1 cm.
Edition: 1/50
[Out of sequence in the album, after no. 501b]

505. A Steep Street, Granada, 1948-9
Dry point, 24.2 x 14.6 cm.
Edition: No. 1

506. Sunday, 1948-9
Mezzotint, 15.1 x 22.6 cm.
Edition: 1/50

507. Desdemona’s Balcony, 1948-9
Etching, 22.8 x 16.0 cm.
Edition: 1/50
Sir Wm. Dixson
System of arrangement
Prints numbered and arranged in chronological order by Sir William Dixson.
Access Conditions

Access via appointment
Copying Conditions
Copyright status:: (Works by Lionel Lindsay) In copyright - Life of creator plus 70 years
Copyright holder:: (Works by Lionel Lindsay) National Library of Australia
Rights and Restrictions Information:: (Works by Lionel Lindsay) No reproduction without prior written approval of copyright holder
Please acknowledge:: (Works by Lionel Lindsay) Dixson Library, State Library of New South Wales and Courtesy National Library of Australia
Copyright status:: (Works by John Goodchild) In copyright - Life of creator plus 70 years
Copyright holder:: (Works by John Goodchild) Assignee of John Goodchild
Rights and Restrictions Information:: (Works by John Goodchild) No reproduction without prior written approval of copyright holder
Please acknowledge:: (Works by John Goodchild) Dixson Library, State Library of New South Wales and Courtesy copyright holder
Out of copyright: (Works by Ellis St John or David Barker) Creators died before 1955
Please acknowledge:: (Works by Ellis St John or David Barker) Dixson Library, State Library of New South Wales
Description source

Lists of Sir Lionel Lindsay prints in the Dixson Library, prepared by the staff of the Library, ca. 1961 (DLMSQ 202)

Titles of etchings, 1907-1951 and wood cuts, 1922-1950 by Lionel Lindsay / listings compiled by William Dixson (DLSPENCER 524)
General note

Spencer List number: 324P Vol. VI
Signatures / Inscriptions

Signed "Lionel Lindsay" in pencil below print and/or in etched image, some signed "LL" or "L" within a circle. All prints also stamped "WD" in red ink. Some include title from artist in pencil.
Creator/Author/Artist
Goodchild, John Charles
St. John, Ellis, 1874-1949
Barker, David, 1888-1946
Lindsay, Lionel, Sir, 1874-1961
Name
Gordon, Adam Lindsay, 1833-1870
Place
Sydney (N.S.W.)
Syria
Baghdad (Iraq)
Iraq
Jerusalem
Open Rosetta viewer
IE10466401