Sub-series 1: Chamber music by Ann Carr-Boyd

MLMSS 10490/Box 8X

sub-series

1959-2015

Manuscript Notated Music, Notated Music, Textual Records

9657821

0.34 metres of textual material (1 outsize box)

2011-2013; The Alexandra suite. For violins and piano. Composed for Alexandra Loukianova and the Australian Violin Ensemble. Commissioned by Ars Musica Australis. In four movements: Alexandra’s tune, Mirage, Way out and A little Russian. Earlier versions of computer score for Alexandra's tune and Way out with manuscript annotations and corrections, final version of computer score for all movements sent to Stephen Bydder, with cover notes for published score by Wirripang.

2014; Audley's caterpillar piece. Arranged for 2 guitars by J. Agostino, from the original work for harpsichord by Ann Carr-Boyd. 1 computer score, with photocopy of original manuscript score in ink, composed in London, 1990.

2008; The boulevard waltz. For flute, oboe, string quartet and piano. 1 computer score with piano partially added in pencil and 1 final computer score.

1982, 2015; Fandango. Arranged for clarinet ensemble from the original mandolin version. 1 computer score with pencil corrections, and email correspondence with Colin Fox about rehearsing the work with the Licorice Allsorts.

2013-2014; Flying West. For recorder, violoncello and harpsichord. Commissioned by Diana Weston for Thoroughbass and dedicated to the Royal Flying Doctor Service. Folder of various computer printouts with manuscript annotations, some manuscript sketches in pencil, email correspondence with Diana Weston and programme notes.

2014; Left Bank waltz by Peter Sculthorpe, arranged by Ann Carr-Boyd for string quartet and piano. Composed for Janet Ninio and the Acacia String Quartet. Folder containing 1 photocopy of original published piano piece by Peter Sculthorpe, 1 computer score with manuscript annotations in pencil, 1 later version of computer score, 1 final computer score and 1 computer piano part, together with cover note and email correspondence with Acacia String Quartet from 2012.

1959; Quartet for 2 violins, viola and violoncello. 1 manuscript score in ink and pencil, signed Ann K. Wentzel, 3 March 1959.

1966; String quartet. 1 manuscript score in ink.

1972, 2014-2016; Textures and variations, from the collection ‘Flying West’. For flute, oboe, violoncello and harpsichord. 1 manuscript harpsichord part in ink from the original work, 1 computer score with pencil annotations and corrections, and cover notes.

2015; Trio for flute, clarinet and piano. Commissioned by Original Faces (Melbourne Trio). Draft manuscript score in pencil, 1 computer score with manuscript corrections, 1 final computer score and 1 letter from Karen Newmann.

2014; Two fantasies, based on traditional songs ‘Gulumkan’ and ‘The red rose top’. For violin, violoncello and piano. Commissioned by Mohamad Hamami. 1 computer score with manuscript annotations in pencil.

1967; Two themes and variations for double wind quintet. 1 rough manuscript score in pencil and 1 photocopied set of manuscript parts.

1987; Waltzing Matilda. Arranged by Ann Carr-Boyd. Photocopy of manuscript violin part (incomplete) and photocopy of manuscript score (incomplete) sent to Ann from the Australian Music Centre.

2012; Way out. Arranged for solo flute and mandolin orchestra. Commissioned by Ian Segui for the London Mandolin Festival in 2013. 1 computer score with manuscript annotations and corrections, 1 later version of computer score, together with email from Ann Carr-Boyd to Ian Segui, and cover notes and email to Stephen Bydder.

Alphabetical by title

In copyright:
Please acknowledge:: Mitchell Library, State Library of New South Wales and Courtesy copyright holder