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Print
9611705
  • Title
    Collection 3: Kate Jennings further papers, 1965-1997
  • Creator
  • Call number
    MLMSS 11633
  • Level of description
    sub-fonds
  • Date

    1965-1997
  • Type of material
  • Reference code
    9611705
  • Physical Description
    0.8 metres of textual material (5 boxes) includes photographs
  • Scope and Content
    Box 1

    Correspondence

    Comprises correspondence which was kept in folders and has been re-ordered within those folders alphabetically.

    Folder 1a

    Adelaide Festival of Arts Inc, 13 November 1974
    Advertiser Newspapers (Max Fatchen), 2 June 1977
    Robyn Archer, 5 September 1977 and two others, undated
    Margaret Atwood, 18 May 1978
    Australian Council for the Arts (Michael Costigan), 29 October 1974
    George Barnes, 12 June
    Leonard Baylie, 19 December 1974
    Sallie Berriff, 24 March 1975
    Patricia Barraclough, 26 September 1978 and others, undated
    Bill Beard, two letters, undated
    Anne Bickford, three letters and a poem, 11 April 1973 – 16 October 1975
    Phyllis Chesler 4 February 1975
    Colin Corrigan, 28 September 1974
    Moya Costello, 1 letter, undated
    Rosemary Creswell, two letters and a poem, 9 September 1974, 9 September 1977
    Joan Fanning, copy of a letter written to Digger, undated
    Liz Fell, 29 September 1976
    Carole Ferrier, 13 October 1973
    Helen Garner, two and a half letters, 3 May 1975
    Angela Giblin, part letter, undated
    Elizabeth Hess, one letter, undated
    Kerryn Higgs, 1 October
    Yvonne Hyde, 14 June 1973
    Deborah (Cook) McCulloch, 8 February 1974
    Wesley Milgate, 17 October 1972
    Drusilla Modjeska, seven letters and two postcards, 5 January 1975 - 14 April 1977
    Joan Moran, 20 September
    Meaghan Morris, two postcards, 1976
    Nation Review (Michael Morris), 28 July 1975
    Erin Pizzey (Women’s Aid), 24 January 1974
    Elizabeth Reid (Prime Minister’s Office), 20 November 1974
    Margaret Roadknight, seven letters and a postcard, 5 January 1977 – 4 July 1978

    Folder 1b

    Catharine Stimpson, three letters, 8 July 1978 – 20 January 1979
    Anne Summers, five letters and two postcards, ca. 1975-1978
    Dany Torsh, 2 June 1977
    Paula Taylor, 15 August 1976, 30 August 1976
    Carol Treloar, 6 March 1978
    David Upham, 20 September 1970
    Carolyn van Langenberg, 28 January 1978
    Virginia Wilton, 15 letters and three postcards, 3 April 1972 – 1 October 1977
    Gillian Waite, (ABC), 1 July 1974
    Chris Westwood, two postcards, 12 January 1975, July
    Sondra A. K. Wilson, one letter, undated
    Elizabeth Wood, two letters, 18 April 1977
    Pat Woolley, two postcards and a letter, 26 April 1977 – 10 February 1978
    Sandra Zumbo, 4 June 1978, 27 September 1978

    Folder 2

    Rob Knottenbolt, twelve letters, one photograph, three notes and telegram, undated


    Folder 3

    Don Andrews, six postcards, two cards and a letter, 20 August 1973 – 18 March 1977
    Bill Bonney, six letters, 25 September 1977 – 21 April 1978
    Grant Evans, two notes, two letters and a postcard, undated
    Phillip Frazer, one postcard, two letters, two notes, 7 October 1976 - 21 July 1978
    Richard Neville, one letter, one postcard, undated
    Colin Talbot, two letters, undated
    Robert Tipping, one letter, undated
    Ten telegrams, 27 June 1971 – 25 December 1975

    Folder 4

    Andrew Stewart correspondence, 1967 – 1978

    Folder 5

    Miscellaneous correspondence, 1966-1978. Correspondents include Don Anderson, W.L. Bonney, Al Grassby, Jim Sherwood and Colin Waddy. Includes photocopied letter from Les Murray and copy of an exchange between Phyllis Chesler and Janet Hall, 1975

    Folder 6

    Draft and unsent correspondence

    Folder 7

    Family correspondence includes letters from Jennings' father, mother, aunt Lorna Lamy and John Stephenson

    Box 2

    Juvenilia includes poetry written at High School, Leaving Certificate, 1965

    University essays and other writing including 'Aunt Dot’s Camel', 'Save Me Joe Louis', 'Terminal Naivety', 1975, Possible Directions for Feminist Writers

    Papers relating to Jennings' front lawn speech, Sydney University, 18 September 1970 including original typed, edited and annotated speech transcript, drafts and preliminary notes relating to the speech, article ‘a Woman on the front lawn', two copies of the flyer ‘watch out you may meet a real castrating female…’ distributed at the event and an original photograph of Jennings at the event

    Notes, notebook and speaking cards includes draft speeches, draft letters, quotes from authors, songwriters, music lyrics

    Essays, published and unpublished articles and poetry, and printed transcripts, includes article for the National Times on South Australia’s rape laws (edited by Anne Summers), interview with Alison Stewart, The Bulletin and a letter to the editor by Jennings in response (1988), 1970-1988

    Manuscript and typed poems for and by Jennings. Poets include Phillip Frazer, Grant Evans, Mark Gillespie and Stephanie B.

    Martin Johnston papers including 'Shadowmass', original typed poem 'the sea-cucumber (for Ray Crooke)' and a flyer for the Sixth Annual General Balmain Reading of Prose and Verse, 1971

    Box 3

    Typescript, lightly corrected copy of 'Dusty Spring'
    field Grows Up

    Edited draft typescript of 'Save me, Joe Louis'

    Book reviews by Jennings, published and original including a review of Damned Whores and God’s Police by Anne Summers, correspondence, speech transcripts, newspaper cuttings
    Issues of 'Me Jane', 'Tharunka', 'The Bulletin' and 'Khasmik' featuring Jennings' work, 1970-1997

    Photographs and negatives

    Box 4

    Comprises books from Jennings' collection, some annotated or with pages bookmarked

    'Monster', Robin Morgan (1961)
    'Heresies', First issue (1977)
    'Amazon Odyssey', Ti-Grace Atkinson (1974)
    'No More Fun & Games', A journal of Female Liberation, Issue 3, April 1970
    'The Female State', A journal of Female Liberation, Issue 4, April 1970
    'No More Masks!' An Anthology of Poems, Ed. Florence Howe and Ellen Bass (1973) bookmarked by a postcard from Carol Treloar
    'Make up', Mark Gillespie (1977)
    Penguin Modern Poets 10', The Mersey Sound, Adrian Henri, Roger McGough, Brian Patten (1979)
    'Intervention: revolutionary Marxist journal', 10/11, August 1978
    'Gullibles Travels', Jill Johnston (1974)
    'Women, Resistance and Revolution', Sheila Rowbotham (1972)
    'Patriarchal Attitudes', Eva Figes (1970)
    'Lesbian Nation: The Feminist Solution', Jill Johnston (1973)
    'The Female Man', Joanna Russ (1975)
    'Come to me my Melancholy Baby', Kate Jennings (1975)
    'Mother, I’m Rooted', Ed. Kate Jennings (1975) Includes a photograph of Jennings, Kate Millett and ‘Liz’
    'Bad Manners: Kate Jennings Essays' (1993)
    'Snake', Kate Jennings, Minerva (1996)
    'Snake', Kate Jennings, Fourth Estate (2000)
    'Moral Hazard', Kate Jennings (2002)
    'Imagination Dead Imagine', Samuel Beckett (1965)
    'The rape journal', Dell Fitzgerald-Richards (1973)

    Box 5

    Originals and copies of feminist and university publications:

    SCUM (Society for Cutting Up Men) Manifesto, Valerie Solanas, photocopy (1968)
    'The union recorder' Vol. 50, No. 23, October 1, 1970
    'Chrysalis', No. 1, 1977
    'Digger', No. 28, March 24, 1974
    'Radical feminist shrew', Vol 5, No. 2, April 1973
    'Leather Jacket, No. 2', June 1973
    'Me Jane', Nos 1, 3-8, 1971-1972
    'Refractory Girl', Nos 1, 7, 1972-1974
    'It ain't me babe', Vol. 1, Nos. 10, 16, 1970
    'Anarcho-Surrealist Insurrection Feminists', June, September 1973
    'Get Out', No. 8
    'Seven Days', Vol. 1, No. 2, December 1977
    1976 Australian Woman’s Calendar
    Various newsletters

    Robyn Archer, 'Things are so Slow', vinyl, 45 rpm recording, 1977
    Skyhooks, 'Straight in a Gay, Gay World', audio cassette, 1976
    Testamur, Bachelor of Arts (Hons), Catherine Jennings
  • System of arrangement
    Correspondence was kept in separate folders, as noted. This arrangement was retained but correspondence has been arranged alphabetically within those folders.
  • Language
  • Access Conditions
    Restricted: Prior approval is required for access. Any requests for access will be referred to the Head of Manuscripts. If permission is granted to access the collection, the reader is required to sign an undertaking not to make any use of information contained therein, in conversation or in writing, that could cause pain or embarrassment to any living person.
  • Copying Conditions
    Copyright restrictions may apply:
    Please acknowledge:: Mitchell Library, State Library of New South Wales and Courtesy copyright holder
  • Creator/Author/Artist
  • Subject

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